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A Collection of Worlds, Moods, and Stories Told Through Sound

My Reel of Film Scoring
Collection of Animation & Video Game Music
Alone (Electronic Pop Song)
0:41
It Will Be Ok! (Anime Pop Song, feat. Caroline Luo)
1:02
Made in Abyss! (Japanese Anime Score)
1:04
Classroom (Animation Score)
1:38
Luminous Lake (Chinese Style Score)
2:23
Whimsical Homestead (Video Game Score)
0:50
Doraemon (Video Game Score)
0:34
Pine Forest (Video Game Score)
0:50
Infy (String Quartet)
1:00
My score for Anime 'Made in Abyss'
My score for Animation Short "Umbrella"
My Music & SFX for Animation "Insomniac Bear"
My Music & SFX for Animation "Stardust"
My score for Commercial Ad 'Rolex Watchmaking'

Mockup Reel

This is my mockup reel, featuring tracks I've recreated by transcribing compositions from established composers into Cubase/Logic, using only sample libraries.

La Mer II (by Debussy, Orchestral Mockup)
0:54
Kill Ring (by John Powell, Orchestral Mockup)
2:40
Mad Max (by Junky XL, Hybrid Mockup)
0:31
Midi d'un faune (by Debussy, Orchestral Mockup)
2:43
Romantic Flight (by John Powell, Orchestral Mockup)
1:58
雁 (by Xie Peng, Orchestral Mockup)
6:02
Biography

Qianyang Zeng is a composer and sound designer committed to crafting thoughtful and immersive musical and sonic experiences, shaped by his background in both music and technology.

Qianyang began classical piano at age six and later studied composition with Xie Peng at the Central Conservatory of Music. He holds a Bachelor’s degree in Computer Science from Tsinghua University and a Master’s degree in Screen Scoring from NYU. During his undergraduate studies at Tsinghua University, he also worked on the game 神迹之战 (2020 Intelligent Agent Competition), contributing to level art, scene implementation, and gameplay logic.

His work includes music and sound for the in-development game Paraside: Duolity Unbound, and contributed additional music to Roco Kingdom: World and Minecraft (Chinese Mainland version). His work also includes films and animation, with projects selected for festivals such as NY Short Fest and NYC Metro Animation Fest. In 2025, he was selected as a finalist in the 2025 Oticons Faculty Film Scoring Competition.