Your network connection has been lost, so you may experience media playback
issues. This page will automatically refresh when you are back online.
GRAY - TV SERIES feat. PATRICIA CLARKSON - LIONSGATE/AGC
Gray
GRAY - MAIN THEME
1:00
This cue is the Main Titles for the Lionsgate/AGC spy thriller "Gray". It's a combination of piano, orchestral percussion, hardware synthesizers, and live solo viola.
GRAY - FEEL MY MUSCLE
0:56
This cue is used in a scene where Gray is manipulating a CIA agent she believes is acting against her. It's her main way of working, playing mind games, and it's the first time in the series this tactic is employed. We tried to dial in a little uneasiness here, while keeping the tension high. It consists mainly of synthesizers.
GRAY - Waiting for my Husband
1:04
This cue is a re-worked version of "Gray's Theme" which is heard in the main titles cue above. It's a Jazz Trio/Lounge version that was used at the end of Episode 2 and arcs from a conversation in a hotel bar (used diegetically in the scene) into the end credits (where it transforms into non-diegetic score). The selection above is take from the End Credits part of Episode 2. It consists of Piano, Drums, and Trumpet.
GRAY - Gray's Spiderweb
0:58
This cue is another example of Gray using her manipulation and psychological warfare to get things to fall where she needs them. It's in a similar tone to the "Feel my Muscle" cue, but she is working with a friendly agent, so its tone is shifted to be a bit less sinister. This cue is mainly comprised of synthesizers. This recurs throughout the series.
GRAY - Gray Arrested
0:51
This cue is in the first episode, and is when Gray is brought in from the cold by CIA agents. The first half is her being loaded into and transported in government vehicles, where the second half pivots to Sara, the other main character, who is a source of good through the series. It's the first time we see her on screen, and she is walking through checkpoints at the CIA on her way to work, so we tried to pivot to a lighter tone that felt a bit more procedural, to avoid leading the audience. I think we executed the shift well here. This cue is mainly piano, orchestral percussion, and synthesizers.
GRAY - SERIES FINALE (Post Prod Footage)
GRAY - POOL MONTAGE (Post Prod Footage)
GENERAL REEL
THE STOLEN LIVES OF ELEPHANTS - Pocha's Death
1:59
A MOMENT ABRIDGED - Suspended Time
1:26
CYBERPUNK - End Credits
1:17
THE IMPORTANCE OF BEING EARNEST - To The House in the Country
1:15
AUGUST OSAGE COUNTY - Cicada City
0:46
THE DARKEST DARK - The Moon and Stars
1:38
A WRINKLE IN TIME - The First Tesser
1:01
CYBERPUNK - Main Titles
1:06
CHEKHOV'S A WORK OF ART - The Doctor's Theme
0:33
GRAY - FEEL MY MUSCLE
0:56
HE MURDERED SLEEP - Wired Sisters
0:30
RELAX IM FROM THE FUTURE - Stasis or Static
1:41
Bryan Bindon - Biography
Bryan Bindon is a film composer with a background in recording engineering, Mastering, and jazz trumpet performance. Bryan’s passion for synthesizers has led him to work on projects that feature synths not only as a textural element, but as a driving tool for character and world-building. Bryan is equally comfortable working with orchestras and large ensembles, to create symphonic scores with emotional depth. He has several projects and accolades in his rapidly evolving career. They include the Lionsgate/AGC TV series Gray (starring Patricia Clarkson), the feature film for Universal Pictures entitled Relax, I’m From The Future (starring Rhys Darby), as well as Apocalypse Plan B (narrated by Jane Fonda). His film work can be seen on Apple TV, Paramount +, Netflix UK, CBC, and Shortverse.
In a past life, he was also a mechanical engineer with a Master’s degree in Motorsport Engineering, working in engine design and custom titanium bicycles. His favourite film is Blade Runner.
Bryan is a member of the Screen Composers Guild of Canada, The Canadian Academy of Film and Television, and the Society of Composers and Lyricists.
CONTACT
Bryan Bindon
bryan@hivemindcomposers.com
Representation