
"I was impressed by Jules’s ability to really listen to the themes and intentions behind each project. He doesn’t hesitate to take initiative and make creative suggestions, while also showing a genuine willingness to learn about what he doesn’t (yet) know. Jules-Antoine is generous, empathetic, and open-minded." (Frederic Maslanka - Scénariste)
"Jules is real creative composer who has a genuine thirst to learn and improve constantly. He has not only a perfect knowledge about music theory, but also a great sens of musicality. He is a great human being and a very passionate and inventive composer" (Alioune Koné - Composer)






Jules Antoine is a film and media composer whose work is deeply shaped by his background as a live musician.
Trained in classical, jazz, and contemporary music at several conservatories, as well as through university studies, he has built a distinctive musical voice rooted in versatility. Years spent performing on stage — moving effortlessly between rock, reggae, pop, funk, jazz, and urban music — have given him a strong rhythmic instinct and an organic, energetic approach to musical storytelling.
In 2022, he specialized in composition for screen media by joining the Master of Arts in Professional Composition for Media (Auburn University / ThinkSpace Education), where he explored music for fiction, animation, documentary, and video games, refining his narrative and textural palette.
Alongside his work for film and interactive media, he composes for the performing arts and has served as the musical director and composer for the young-audience theatre company Des Coccinelles dans les Chaussettes since 2017.
In 2025, he will compose the score for the DRAC-funded production Il y a des choses que non (La Femme et l’Homme Debout), as well as the soundtrack for the debut video game from PocketKnife Studio.