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Biography

Jasmin Lacasse Roy, a classical guitarist hailing from Montreal, stands as a boundary-defying virtuoso in the world of music. His journey through the realm of classical guitar has been marked by remarkable achievements, including a first prize in the IFA Altamira Competition of Hong Kong and top prizes in renowned competitions such as the University of Louisville Guitar Competition and the Rhode Island Guitar Competition.

Jasmin's journey through the world of music is a testament to his dedication and talent. A graduate with a Master's degree from the renowned Conservatory of Montreal, he continued to hone his craft, earning a Doctorate in Guitar Performance from the University of Montreal. His commitment to his artistry shines through in every performance.

Jasmin's latest musical endeavor, "Mile End Meteors," is the recording a collection of 10 compositions and is a testament to his deep connection with Montreal's Mile End district.  This eclectic recording serves as a love letter to a neighborhood teeming with musicians, artists, tech innovators, and the uniquely vibrant atmosphere that has left an indelible mark on Jasmin's soul. Each track on the album is a piece of artistry, a testament to his commitment to creating music that resonates with listeners on a profound level.

Critics have heaped praise upon Jasmin's work, describing it as "a masterful guitar endeavor" that transcends musical genres. The Whole Note Magazine, in particular, highlighted his ability to craft musical impressions that brim with imagination, technical skill, and virtuosity.

As Jasmin's musical journey unfolds, he continues to explore new horizons, collaborate with fellow artists, and embark on exciting projects. His dedication to the craft remains unwavering, ensuring that each note he plays as it's very own soul.

Mile End Meteors
01 While waiting for the golden hour
2:22
02 Cast iron rhapsody
2:43
03 Impétuositeration
2:05
04 Nosferatu’s episodic waves of melancholy return to haunt him
3:20
05 The adventures of the Clark Street cowboy in the Mile End tavern
3:13
06 Mélodyvagation
3:11
07 Against Elise
5:11
08 The nostagic chronicales of count Rachmanula
3:31
09 Mile End Winter
3:02
10 Midnight disco lounge
2:18

Mile End Meteors

This album is a love-letter to a neighbourhood, the Montreal's Mile End district, that deeply inspires him with it's laid-back atmosphere imbued with artistic energy. It's Jasmin's favourite neighbourhood, and the sights and sounds he hears as a resident are woven throughout this dialogue of images. A dialogue with the people, real and imagined, who populate his quotidian scenery. The work  pours out with an intense and concentrated narrative force that nevertheless connects with an audience that might now share his love of Mile End. A dexterous juxtaposition of images and musical ideas come together for an album that sounds like an impressionist painting. Reflecting on his early inspiration for this album, Jasmin wanted each piece to "shine with a lively and fleeting glow like a meteor leaving behind short luminous trails as it enters the atmosphere."

Press Review

the Whole Note magazine:

The Montreal classical guitarist Jasmin Lacasse Roy recorded, mixed and produced his self-issued CD Météores, an album he describes as “an eclectic homage to a neighbourhood that deeply inspires me with its laid-back atmosphere imbued with artistic energy – Montreal’s Mile End district.” The title comes from his desire to have each piece “shine like a meteor.”

The ten short pieces are not literal depictions of scenes or events, but impressions (Roy wanted an album that “sounds like an impressionist painting”), and they’re terrific, displaying great imagination, technical skill and virtuosity. The whimsical titles include Cast iron rhapsody, Impétuositeration, The nostalgic chronicles of count Rachmanula, Mile End Winter and Midnight disco lounge.

Roy can write great melodies and hooks as well as challenging tours de force, all of it beautifully recorded in a delightful CD.

-Terry Robbins, theWholeNote magazine

 

 

Music danses while we sleeps blog:

No short of masterful is the recent release by Jasmin Lacasse Roy, a Canadian guitarist who won our hearts with a track called "Melodyvagation".

Although played by one man and man only, the musical complexity along with the flawless and emotion-soaked delivery speaks volumes for the musical prowess of the owner of the fingers applied to the instrument. Written around a jazz core with intricate elements of folk and neoclassical, the track captivates the listener right from the start and doesn't stop to surprise for the entirety of its just over three minute runtime. Elegantly interchanging between a down-tempo/melodic and a fast-paced/arpeggio movements, the guitarist caresses the listener's ear with pure class that can only be manifested by a natural-born artist with years of experience.

An absolute guitar stunner worth anyone's attention.


Description of the Compositions

1. While waiting for the golden hour 

 

The golden hour, beloved by photographer and cinematograph, is the period shortly after sunrise. This music was composed before the sunrise when I was, for no reason other than for the pleasure of it, waiting for the golden hour to arrive. In this composition I use unusual tonality combinations for the contrasting sections and I use a blues chords progression mixed with impressionistic harmonic coloration for the main theme.

 

2. Cast iron rhapsody

 

For this piece of music the title came to me first, I was inspired by the outside cast iron stairways which Montreal is famous for. To fit the title I wanted a theme that represented the strongest and texture of cast iron. This composition was finish in a tumultuous time in my life, maybe that is why the ending is what it is, bitter-sweet. The musical form of this opus is a rhapsody, which isa one-movement work that is episodic yet integrated, free-flowing in structure, featuring a range of highly contrasted moods, colour, and tonality.

 

 

3. Impétuositeration

 

It is the combination between the words impetuous and itération. Being impetuous is characterized by being animated by an impulsive and raging movement. In mathematics, an iteration designates the action of repeating the same process in an attempt to obtain a solution. This is exactly what is « Impetuositeration », it is impetuous and it repeat the same process over and over again. But no définitive solution is obtain. The melody which is the basis for this work can only be played on the odd fret number. Has a challenge I wanted to come up with the composition that could only be played on the odd fret number. Like on the piano where they have composition just for the white keys or just for the Black Keys.             

 

 

4. L’épisodique vague à l’âme de Nosferatu revient le hanter 

 

“The episodic gloominess of Nosferatu returns to haunt him” is a Dali-esque surreal representation the inner fight of a Nosferatu that periodically grow guilty of doing what the world is accustom of him. As if he were jaded of being trapt in his own persona. Try to guess who wins that innerbattle in the end? The blood thursty or the remorseful Nosferatu? 

 

 

5. Les aventures du cowboy de la rue Clark à la tavern Mile End

 

150 years ago, a big part of the Montréal island was mostly farmers and cowboys. That was the case in the Mile End district. And near where I live there used to be, 150 years ago, an infamous Tavern called the mile end tavern. So “The Clark street cowboy at the Mile End Tavern”  is the story of an imaginary cowboy narrated by the music. First he is galloping in the field, mud splashing besidehim, and after his day of work he goes to have a drink at the infamous Mile End tavern. After a few drinks he get into trouble with some other cowboys and they want to fight him. But after some rumbling he managed to escape and then he’s caught in a Storm. Luckily, he manage to find a barn as a shelter, he lies down on that pile of hay and fall asleep. In his sleep he dreams about a mysterious girl he had seen in an other town. He suddently wakes up, get back on his horse and ride into the sunrise.

         

 

6. Mélodyvagation

                  

This composition is a dreamy, impressionistic méditation during a nightly Promenade in the Mile End. The title is a portmanteau of “melody” and “divagation” and it is made with a silly musical motif that should not be as catchy as it is. This illogically catchy motif is then developed by a series of modulation and transformation just to return in its simplest and most eloquent form.

 

 

7. Against Elise

 

This composition is inspired by the famous « fur Elise » by Beethoven. Like Fur Elise, my composition is a rondo, which is a musical form that alternate choruses and verses. For the chorus in « Against Elise », I decided to invert the direction of the melody of the chorus of Fur Elise, so whenever the melody goes up in Fur Elise it goes down in « Against Elise » with exactly the same interval and vice versa. And for the 2 versus I did a more mathematical music that uses different sequences of numbers. Sequences that are inspired by the golden ratio for the first verse and waves of growing numbers for the second verse.

 

8. The nostagic chronicales of count Rachmanula

 

In Montreal and in the Mile End district particularly, there are still many traces of Victorian era architcture. Which I think makes a great archytectural contrast with modernity. So as tribute to that era, I wanted this composition to be like a victorian picture of an old east european count in his old, dusty victorian mansion reminiscing about his past adventures while sipping a glass of Brandy in front of his fireplace. Vaguely inspired by Late 19ecentury East european classical music for the character of the introduction and in the way I superposed tonalities in the middle part. For the main theme, which appears at the beginning and at the end, I wanted a melody that sounded familiar to everybody and gave them the impression they’ve heard it before.

 

9. Mile End Winter

 

In memory of a night in the Mile End neighborhood where after a snow storm rain had covered everything with ice. This arctic decor in contrast with the victorian architecture style of the neighborhood gave us the impression of being in an other dimension. The musical form is basicly a rondo but sometime part of phrases are missing as if they were covered by the snow.

 

 

10. Midnight disco lounge

 

Montréal has always been a town with a predominant nightlife. Musical work composed to encapsulate the spirit of a singular night in a Discotheque that inspired me this composition. In this piece of music the tonalities and modulations are blurred so that we can move between tonalities without abrupt changes.

Composition

As a composer, Jasmin’s portfolio spans orchestral, chamber music and film scores, with notable works performed internationally. His compositions demonstrate a unique approach to blending instrumental textures, and recent premieres showcase his commitment to creating immersive musical experiences. These works include:

  • Mile End Météores (for classical guitar) – A passionate homage to Montreal’s Mile- End neighborhood, performed on Canadian television and radio worldwide (UK, USA, Canada, Italy, Hungary, Netherlands, Poland, South Africa, and Spain), with over a hundred concert performances in Canada.
  • The Human Experience (for choir) – Premiered in Montreal in 2024,
  • Drama for Orchestra – Also premiered in Montreal in 2024,
  • La petite fille au pyjama bleu (for flute quartet) – Premiered in spring 2024 by the UQAM Flute Quartet, highlighting
  • Il vento della Sardegna – Premiered on February 3, 2024, at the Auditorium della Scuola Civica in Nuoro, Italy, by the Orchestra Regional Sarda under Giacomo Medas.

Contact Info

Jasmin Lacasse Roy