Called "a haunting artist to watch" by Rolling Stone, Alexandra Petkovski is an award-winning composer, producer, multi-instrumentalist, artist, and songwriter from Toronto, Canada - creating genre-defying music exploring contemporary polytextural, orchestral cinematic, hybrid-synth, trailerization, and vocalise sonic spaces. Above all, Alex loves to tell compelling stories through music. 

Winner of the 2025 Music + Sound Awards, a multi Hollywood Music in Media Awards nominee and winner, 2025 Guild of Music Supervisors Awards Canada Artist/Songwriter of the Year nominee, World Trailer Awards, SOCAN’s 2023 Emerging Screen Composers Awards and 20th Annual Game Audio Network Guild Awards winner, Alex was selected as a composer for the 2024 World Soundtrack Awards Film Festival Ghent’s Third Character Project. She has collaborations with artists like Kimbra, Tommee Profitt, and Aimeé Osbourne, and her music is heard across platforms like Fortnite, Grey’s Anatomy, SXSW, Disney+, TIFF, Blumhouse Productions, Netflix, and HBO. Alex is the lead composer for Future Chicken; a new animated universe led by Catherine Winder (former executive producer of Lucasfilm animation; Ice Age, Star Wars: The Clone Wars, Angry Birds). Alex is excited to be the lead composer on Three Ring Nickel’s upcoming dystopian sci-fi thriller feature film, and recently scored a new Amazon Studios’ documentary series with colleague Kalaisan Kaleichelvan, as well as director Kent Donguines’ debut feature documentary Treasure of the Rice Terraces (as featured in Golden Globes, Variety) starring Filipino Vogue cover-star tattooist Apo Whang-Od. 

Alex's artist project, FJØRA, has become widely known throughout the Film/TV/Video Game worlds. Her coined genre - "cinematronic" - combines elements of electronic and cinematic styles. This is heard throughout her work across Film, TV, video games, commercials, such as music for “Welcome to the Blumhouse” (a reimagination of 4-Non Blondes hit song, “What’s Up,” as personally requested by Linda Perry), Paris Olympics Campaign (Globo TV), theme song "Déjà Vu" for video game Deathloop (as heard in remixes by artists like Steve Aoki, Future and Madison Beer), custom music for international campaigns by Adidas Women and Donna Karan New York and across her scoring for the screen.

Alex is a passionate advocate for women, women-identifying and underrepresented presence throughout the music industry, striving to foster awareness for inclusivity and diversity in each project she undertakes. She is the author of New Music USA’s “Managing Rapid-Fire Deadlines for the Aspiring and Evolving Music Creative,” a published article outlining helpful methods for working within the current music industry landscape. 

Alex is proud to serve as a director on the Alliance for Women Film Composers board of directors, Secretary on the Executive leadership board for the Screen Composers Guild of Canada, is a proud standing voting member of the Recording Academy, BAFTA Connect, Television Academy, Society of Lyricists and Composers, World Soundtrack Awards, and is a composer in residence alumni with the Canadian Film Centre (chaired by Lesley Barber) and Los Angeles Film Conducting Intensive alumni (working under the guidance of William Ross). A 2024 Television Academy Music Peer Circle Representative, and Grammy’s #NEXTGen leader (Los Angeles chapter), Alex was a mentee under Siddhartha Khosla (This is Us, Only Murders in the Building). As a director with the AWFC, Alex spearheaded the AWFC’s Film Music Mixer during TIFF event; a celebration of the vibrant community of women, women-identifying and underrepresented voices in the film music industry coming together during Toronto International Festival.