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Con Queen Reel
Genius Mad Crazy
3:02
Do You Feel Ready
2:02
Deadlines
3:36
Human Connection
3:59
In The Muck
3:32
Eery Behavior
2:21
K2 Intelligence
2:53
Barbara Ellison
3:29
Gambang
3:14
Arrested
3:28
Pelog
2:48
Lone Wolf Operation
4:49
Competition and Half Truths
8:11
Not What I Signed Up For
3:04
Descent
3:14
Maskless
3:27
Joko and Scott's Research
2:19
Purebytes
3:49
Intertwined
3:17
Bring Her Down With Me
0:52
Open Investigation
4:22
What If It's Neither
4:32
Con Queen (EP 101) - The Phone Call
Con Queen (EP 101) - Do You Feel Ready?
Con Queen (EP 101) - Going to Jakarta
Con Queen (EP 101) - K2 Intelligence
Con Queen (EP 102) - Not What I Signed Up For
Con Queen (EP 102) - Deadlines
Con Queen (EP 101) - Barbara Ellison
Con Queen (EP 101) - Third Time to Jakarta
Con Queen (EP 101) - What's The Reward
Con Queen (EP 102) - Investigation
Con Queen (EP 102) - Con Continuation
Con Queen (EP 102) - FBI Involvement
Con Queen (EP 102) - Different Phases
Con Queen (EP 102) - Purebytes
Con Queen (EP 102) - Following Hargobind
Con Queen (EP 102) - On His Tail
Con Queen (EP102) - End Credits
Con Queen (EP 103) - Half Truths
Con Queen (EP 103) - The Human Connection
Con Queen (EP 103) - Psychopath
Con Queen (EP 103) - Arrested
Con Queen (EP 103) - Last Conversation
Con Queen (EP 103) - End Credits
Con Queen (EP 101) - The Training
Con Queen (EP 101) - Scott Johnson
Con Queen (EP 101) - The Hollywood Reporter
Con Queen (EP 101) - Purebytes Discovery
Con Queen (EP 101) - Escape Jakarta
Con Queen (EP 101) - Joko's Research
Biography
Matt’s music can be heard throughout all forms of media. Whether it’s original score for TV shows like the Mandalorian, Dr. Death, Monarch & Fairfax, compositions for trailers like The Joker & Mortal Kombat, or tracks for global advertisements (Toyota, Gillette, Cadillac, Amazon, etc), Matt’s ability to adapt to any musical environment has made him an in-demand composer; his music has been used in everywhere from UFC matches to Dior Fashion Shows.
Matt currently works closely with Atticus & Leo Ross on music scoring projects, along with his own composition opportunities. He has previously worked with & assisted Ludwig Goransson and Joe Shirley.
CONTACT:
978-808-8575
Contact