Prologue (from APPRIVOISE)
2:03
The prologue from my upcoming mixed-media installation for dancer and robotic dog, premiering at The Shed in New York.
For two voices, percussion, and electronics.
E-Biking from Canal to Houston — mockup
8:00
A concert opener for large orchestra (this is a midi playback).
Continuities (from WHITMAN SAMPLER)
3:28
The finale from my upcoming song cycle WHITMAN SAMPLER.
For soprano and piano. Performed by Juliet Rand.
Marjorie (from NO DANCING ALLOWED)
1:06
A cue from my upcoming film NO DANCING ALLOWED.
For shakuhachi, percussion, and electronics.
A short homage to Gustav Holst's unique musical style and the film composers it influenced.
For orchestra. Performed by the Budapest Symphony Orchestra.
Out In The Sun (from THE HUNDRED DOLLAR SPOT)
1:52
A cue from my upcoming film THE HUNDRED DOLLAR SPOT.
For piano and electric guitar.
Finale and Credits (from THE SPIDER)
0:38
The final cue and credits music from the short film THE SPIDER.
A piece of action film music.
For strings, percussion, and electronics. Performed by the Budapest Symphony Orchestra.
A little tidbit of romantic film music.
For orchestra. Performed by the Budapest Symphony Orchestra.
Selection from a cross-genre film cue blending hip-hop with Baroque-style strings.