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Film Music
A selection of some cues and featured films
Pennellata (Brushstroke) - Ogni Giorno (Original Motion Picture Soundtrack)
2:42
The ending cue, used in the final minute of the movie and the end credits, summing up the entire movie in a single cue, representing love in all its' shape, from an intimate romance climax to a subtle figure filled with longing.
Gneurut - Sot Sot! (Original Motion Picture Soundtrack)
0:50
Horror movie cue from Sot Sot! short movie.
The cue is taken from the end credits and sums up different other cues used in the movie. Unsettling and eerie atmoshpere with aggressive and huge basses representing the danger and threat. Also a whispered traditional nursery rhyme unsettles and creates a huge contrast.
The cue is taken from the end credits and sums up different other cues used in the movie. Unsettling and eerie atmoshpere with aggressive and huge basses representing the danger and threat. Also a whispered traditional nursery rhyme unsettles and creates a huge contrast.
Ogni Giorno (Everyday) - Ogni Giorno (Original Motion Picture Soundtrack)
2:53
The first cue of the movie Ogni Giorno, introducing immediately a tense atmosphere and a rising danger, anticipating a tragic event and representing a (fake) devious mind and an imaginary plan for murder that never truly happens.
Una Cena per Due (A Dinner for Two) - Ogni Giorno (Original Motion Picture Soundtrack)
0:54
A classical jazzy and romantic track, a saxophone, an expressive bass guitar and a lush and laidback drums carry the momentum of this piece, tailored for a scene of a diegetic - extradiegetic transition. An amazing opportunity to help the viewer immerse in the world of the movie Ogni Giorno.
Selected Film Projects
Ogni Giorno
A short film built around a misunderstanding, aiming to deliver a positive message in contrast to the daily news about gender-based violence. The score reflects this duality, embodying the film’s title, Ogni Giorno (“Every Day”), and highlighting the sense of hope within the narrative.
Sot Sot!
A short film that brings to life a traditional folk tale, historically told to frighten children into good behavior. The music enhances the tension, transforming folklore into an immersive cinematic experience.
Both films have been awarded in festivals, earning a total of 8 prizes from just their first two competitions.
Trailer Music
A selection of trailer tracks, feautured in local cinemas
Far East Film Festival Trailer
1:13
Traditional Asian Trailer
1:17
Trieste Film Festival 2025 Intro - Phonk Teaser
0:25
City Pop - Event Teaser
0:51
Concert Intro Music
1:11
Modern Punchy Teaser
0:49
Trailers & Festival Work
I have also composed music for several trailers and local events, including the main trailers of the Far East Film Festival, additional music for its internal events, various works for the Visionario Cinema in Udine, and the official themes for the last two editions of the Trieste Film Festival.
Biography
Luca is a composer for film, and trailers based in Europe (Italy), dedicated to crafting music that breathes life into images.
Viewing himself as an artisan of emotions, he shapes soundscapes that seamlessly integrate with the visual narrative, enhancing every frame without overpowering it.
With a deep commitment to professionalism, reliability, and creative precision, Luca delivers music that resonates with the audience and elevates the final product’s impact. His versatility allows him to adapt to diverse styles and formats, from intimate, emotional scores to bold and tense themes.
Whether collaborating on a movie, scoring for interactive media, or composing for advertising, Luca’s goal remains the same: to create music that moves, inspires, and lingers long after the last note fades.
Learn more at www.lucabaradel.com