You’re on Safari 13 or older, which isn’t supported by ReelCrafter—sorry! Please try a different browser.
Your network connection has been lost, so you may experience media playback issues.
The Lake of Tears
4:23
Limitless. Cello finale
2:00
Prelude
5:17
Hypnosys
2:09
VENTRA - ONE LOVE
3:59
War (from "Close People")
4:49
Good life (OST Return)
2:48
Christmas Town (from the Show Herda's Heart)
2:52
Not everything is so good (OST Return)
1:05
No violence! Final Scene
4:49
Parting (from "Close People")
3:14
Future is unknown
1:52
Emptiness (from "Close People")
3:59
Flowers (Audiovisual work)
4:26
About Me

Born in 1988, I began my path in music with a formal piano education, which laid the foundation for my professional career. I went on to graduate in Sound Engineering from Saint Petersburg, where I also pursued academic research, completing a dissertation titled “Musical Minimalism in the American Avant-Garde of the 20th Century: Stylistic Origins.”

My early career was dedicated to composing for drama and children’s theatre. Over time, I expanded into collaborations with choreographers, creating music for contemporary dance and exploring the intricate dialogue between sound and movement.

Highlights of My Work

 

2026

  • My Mother is Superhero –a play by director Sergei Azeev (Moscow, Russia)

  • Presence - music album

  • The Unfathomable - Play by Tatiana Schuklina (work in Progress)

2025

  • Water –Choreographic work by Xiaoyi Tong (Festival Global values, Saint Petersburg, Russia)

  • Erica's wanderings – Feature film by Ivica Rossinskaya

  • Ave Trio - Again & Again  – music album

2024

  • Close People – Play by Tanya Weinstein (Takoy Theater, Skorohod, Saint Petersburg, Moscow, Russia)

  • Tram Ding-Ding – Play by Elena Morozova (Theater the Cat William, Saint Petersburg, Russia)

  • Limitless – Choreographic work by Bojan Micev (Emma-Theater, Osnabrück, Germany)

    • Award: 2nd prize, Young Choreographers 2023/2024

  • Russian Dance – Feature film by Tanya Weinstein (Russia-Israel)

    • Awards:

      • Festigious Los Angeles: Best Narrative Feature

      • Athens International Monthly Art Film Festival: Best Debut Feature Film

      • Luleå International Film Festival: Best Debut Feature Film

  • Motherhood – Feature film by Tanya Weinstein (Russia-Israel)

2023

  • Do You Want To Make Me Happy? – Play by Tatiana Schuklina (Theater of Generations, Saint Petersburg, Russia)

  • Compound – Choreographic work by Bojan Micev (Festival "Global Values," Alexandrinsky Theater, New Stage, Saint Petersburg, Russia)

  • Sense – Choreographic work by Peng Ge (Festival "Global Values," Alexandrinsky Theater, New Stage, Saint Petersburg, Russia)

2022

  • Inkheart – Dance performance by Daria Voronova (Saint Petersburg, Russia)

2021

  • Gerda’s Heart – Dance show by Anna Klimakova (Saint Petersburg, Russia)

  • Eternal – Short film by Ivan Shalaev (Lithuania)

2020

  • Blackout – Dance show by Anna Klimakova (Saint Petersburg, Russia)

  • Hedgehog and Bear – Play by Natalia and Maxim Smirnov (Theater project “Still That Warmth,” Saint Petersburg, Russia)

Earlier Works

  • Polar Lights – Show by Elena Morozova (Theater the Cat William, Saint Petersburg, Russia)

  • Fando and Lys – Play (Saint Petersburg, Russia)

  • Musical Albums: Melodies of the Earth and Lullabies for Babies

  • SVETLO - producing songs for pop-rock band

Mixing

  • Mariinsky Theater (Saint Petersburg, Russia, 2009–2019)

  • Theater “Saint Petersburg Opera” (Saint Petersburg, Russia, 2020–2022)

Music Production
Specializing in media, cinema, and entertainment, I aim to bring creative visions to life by finding innovative artistic solutions and delivering high-quality audio production.

For me, writing music is about immersing myself in an idea, understanding its artistic intent, and transforming it into music that serves the vision with both creative integrity and technical precision

Live Performances & Concert Projects

My live work explores music as a space for transformation — a way of observing inner change, movement, and the search for a deeper sense of connection. I am interested in the moment when music moves beyond sound and becomes part of a larger experience, bringing together image, movement, space, and the presence of the performer.

My concert program Presence was created in support of my debut album of the same name and explores the idea of being fully present — in sound, in space, and in the moment. Metamorphosis, a two-part concert program, focuses on transformation and the changing inner state of a person, moving from one emotional and spiritual condition to another.

I have also participated in Music Saves the World, an interdisciplinary festival in Montenegro, presenting a performance featuring a contemporary dance performer and cellist Sergey Suvorov. The project brought together different artistic languages around ideas of human connection, inner growth, and the possibility of positive change.

As the composer and performer of AVE Trio, I develop and perform original music at the intersection of contemporary classical music, minimalism, and modern performance. The trio has presented its work in concert settings, including performances at Porto Montenegro in Tivat, as well as other live projects.

Another significant project was a live score for Dziga Vertov's Man with a Movie Camera, performed in Tivat, Montenegro, at Porto Montenegro, together with musician Oleg Smirnov. The performance explored the relationship between contemporary live music and the rhythm, movement, and visual language of early cinema.

These projects reflect my interest in performance as more than a presentation of music: a shared space where sound, movement, image, and human presence can create an experience that continues beyond the concert itself.