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'The professed rules of time are broken. I can hear my mother through the radio static. Peripheral motion and singing objects lead me astray as I try, and fail, to pinpoint the source of my memories. Radiophonic apparitions haunt me like old friends and unconscious drives. But we avoid paradoxes like the plague, there is only ideology. Anyway, the subway line doesn’t terminate, it goes in circles. So, I return home where it feels familiar. My mother’s piano filters in gently but the piano is out of tune. It always has been. Death is not the end, but my words will be distorted, whispers the record, but the words always were. The myth of childhood stays with us like an absence recorded onto our unconscious, and despite our efforts to rediscover those old yearnings all we find is a recording of an out of tune piano.'

(Snippet from the liner notes of Extracts by Tobi Belber)

Tracing
Proximity
8:05
ODE TO 7&7
5:32
Sound Escapes
3:29
Gentle Were The Words
3:34
Leaving Traces
3:59
Old Terminal Road
9:25
Hallowed Ground Jam Session
12:34
One in a Million Breaths
6:12
Biography

Composer, sound designer, field recordist, and radio producer based in Glasgow, Scotland. Graduate of Philosophy from the University of Edinburgh with a masters in Sound Design & Audiovisual Practice from the University of Glasgow. Applying my passion and expertise to the world of film and television.

My practice is centred on ideas of parallel space, warped time, and the spectrality of memory and record. These notions inform my compositions, as well as my chosen mediums, and serve as motivation to explore the transportive power of sound within narrative and documentary filmmaking.