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Fantasy
To the Kingdom
3:15
The two of us
1:20
Horseback ~ The Hunt
2:05
Echoes
1:57
Mysterious Horror
Grandma's Cabin
1:00
Lumberjack Village
2:03
Moonlight
2:53
Unseen Observers
2:25
Emotional
Love ~ In your eyes
2:16
Tears in the rain ~ Erhu & strings
2:02
Tears in the rain ~ Piano solo
1:59
Sparkle like the ocean
3:28
Pathos ~ Guitar & Strings
2:01
That which remains
1:01
Fighting
Kyoudai Sensou ~ Brother Wars
2:41
Mecha/Space Military
Mercury ~ Grandeur of takeoff
2:22
Lock and load
3:38
Burn Away ~ Full Live Orchestra
2:22
Into the fray
1:59
Lighthearted RPG
Inori's Letter
2:40
Housekeeping
1:18
Faeries of the wood
0:47
Mobile Game
Main Theme
0:43
Bonus Level
0:17
Challenge Mode
0:17
Big Band
Stovetop
3:47
Racing
Garage ~ Customization
0:35
Drive
0:39
Jetstream
0:40
Anime RPG
Slice of Beach Life!
3:22
To the top
2:11
Warfare
Intrusion
2:18
Sandworm
2:08
Escalation
1:50
Nintendo
Greener Fields
1:59
World Select
2:28
Azure Skies
1:02
Electronic
Let It Roll ~ Main Theme
0:47
Americana
Inner Journey
1:56
Oceanic
Under the sea
1:30
Final Blue ~ Swelling Waves
1:56
Ambient
Outer Space
4:12
Suffering of the whale
3:30
Biography

Michael Sutherland is a composer for film, animation, games, and other media - based in Los Angeles. Michael believes in the emotional power of music, and his ultimate goal is always to write the best music possible for a given work. Skilled in both composition and technology, Michael's music often meets at the intersection of both.

Awarded a Master’s in Screen Scoring from USC, Michael has scored over a dozen independent and student films, including Director Keisuke Sakuma’s emotional drama “Funny” (2021), and Director Chase Davis’ award winning breast cancer documentary “Wonder Women” (2019). Michael has been deeply involved in games, working on titles with startup Arcvale (Prawemit, Lexicon, Rotoloco) on a number of occasions.

In addition to his experience with western films and visual media, Michael has been awarded a minor in Japanese Language from FSU – one of the best programs of its kind – and uses this experience to work with directors in Japan on both live action and animation projects alike.