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Helen Noir Showreel
Colour.Bleed full mix (orchestra.ultra-reverb)
4:41
Stage Play Cue 3 (treated vox & vln/alto flute/bassoon/fx)
3:36
Mirer Fragment 1 Helen Noir
1:32
Spilt Fragment Helen Noir
0:30
Layered (fx treated orchestra) Helen Noir
1:04
Kind (demo - layered & treated vox)
1:29
St Clare Helen Noir (reverb-drenched stacked vocals)
1:24
Spill (Helen Noir) piano/tuned percussion/woodwind/fx
0:53
Liquid Memory Proof of Concept 1
4:15
Sky (demo - layered & treated vox)
1:22
Fanfare (brass and woodwind)
1:17
Layered II (fx treated orchestra) Helen Noir
1:32
Liquid Memory Proof of Concept 2
1:13
Isn't It A Beautiful World 80s News Theme (deliberately terrible synths)
0:42
Striven full mix (bleak strings)
3:13
Synthwave Romance 88bpm (for Animation)
3:25
Synthwave Unruly Machines 110bpm (for animation project)
3:24
Biography

Helen Noir (she/her) is a London-based soprano, composer. orchestrator & producer. She writes soundtracks for film, fashion and theatre, (most recently scoring indie horror The Otherkind (with James Griffiths), and Microcosm, featuring Glenda Jackson in one of her last films, as well as providing audio post-production to the acclaimed Re-Member Me from Dickie Beau at Hampstead Theatre in May 2023)  working with directors and designers to take music from initial composition through recording, orchestration, production and mixing. Her work often features stacked or treated vocals and filtered, layered orchestral pieces but she is equally at home with synthwave and hardware synths. Helen also performs regularly with cult performance art group Theo Adams Company, and is an operatic session vocalist. She is also known for her unique live film soundtracks, which have included a commission for the BFI's Weimar season in 2019.