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Matt Farr Composer Reel
Samples of Music for Film and Visual Media
The Fall (Sweeping Romantic Cue)
2:06
Epic Fantasy Adventure Cue
1:55
Thief Suspense Cue
1:34
The Heist Cue
1:41
Strangest Thing Sci-Fi Cue
2:26
Additional Original Compositions
"Pressure" for Piano and Orchestra
5:24
"A Drive in the Snow" for Piano and Violin
4:01
Movement in A minor for Piano, English Horn, and O
4:26
Matt Farr - Charge Fight Scene Re-Score
Matt Farr - DC Stargirl Re-Score Competition
Matt Farr - Bridgerton Scoring Competition Entry
Matt Farr - Buñuel Abbey Road Scoring Competition
Matt Farr - Spring Re-Score
Matt Farr - Spring Re-Score 2
Matt Farr - Westworld Re-Score Competition
Matt Farr - Sprite Horror Re-Score
Matt Farr - Sintel Ending Re-Score
Matt Farr - Sintel Fight Re-Score
Matt Farr - GOW Game Play Re-Score
Matt Farr - Elengard-Ascension Indie Game Music Contest
Matt Farr - Stealth Video Game Mockup
Matt Farr Saint Maud Re-Score Competition
Matt Farr - Reflective Title Theme
Matt Farr - Metropolis Ark Trailer Score
Biography
Matt Farr is a composer, songwriter, and performer with a rich musical background rooted in the shores of South Florida. Writing full songs by the age of 12, he honed his craft at Berklee College of Music and the University of Miami, studying composition, studio music, arranging, orchestration, and jazz vocal performance. Over the years, Matt has led and performed with numerous ensembles, collaborating with a diverse array of artists.
In 2010, he released a self-titled solo album. The album received positive reviews and was supported by an East Coast North America tour in 2012. Matt has performed with and/or shared the stage with renowned acts such as The Family Stone, Five For Fighting, Shaggy, Jason Newsted, Pat Travers, Ryan Montbleau, and The New Orleans Suspects.
Matt continues to craft evocative and engaging compositions. He is currently pursuing work in the film and television industry, bringing his unique musical voice to new storytelling mediums.
“Music, even in situations of the greatest horror, should never be painful to the ear but should flatter and charm it, and thereby always remain music” - Wolfgang Amadeus Mozart