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Why limit ourselves to 'genre's' when GOOD music can come from anywhere, any time period, and anyone?
Yasna Yamaoka Vismale 山岡やずな
TASTER (12 min)
[SYNTH, FLAMENCO, KOTO] "IN CONTROL"
1:37
[ANIME, FUNK, JPOP] "MAGICAL DETRANSFORMATION THEME” (Directed by Kiana Khansmith)
0:17
[VOICE, PIANO, WEST AFRICAN INST.] "When will this body be mine”
1:03
[SOUL, HOUSE, AFROBEAT, JAPANESE] “KONO BANGUMI” 『この番組は」
1:30
[65 PIECE ORCHESTRA @ WARNER BROS] "A WONDERFUL DELIGHT"
0:38
[JAZZ QUARTET, SLOW] "LA LINEA"
1:00
[POP STRINGS x DRUMS] "SHOW DOWN" (Top Voices Theme Song)
1:01
[BARBERSHOP, GOSPEL] TRIBULATIONS feat. Gail Lou DeSandies
0:17
[INDIE: GUITAR & CELLO DUET] "TOGETHER ALONE" feat. Quenton Blache & Alex Park
1:03
[BOLERO, TRAGIC, LATIN] "SUENOS VIOLENTOS" feat. Amaris Pueyes-Mendez
0:59
[NYABHINGI & AYABHINGI REGGAE DRUMS] "STRAYDOGS" feat. Bongo Herman
1:14
[SYNTH, ERHU, SOUND BATH] "DREAM WORLD'
1:49
[SPIRITUAL: SCI FI, DARK CHOIR] "ONAKA SUITA"
1:03
[SOUNDSCAPE, THRILLER] "NIGHTMARE"
0:51
SURREAL & CONTEMPLATIVE
[HOPEFUL ORCHESTRA] POPPY'S SONG
0:59
[AVANT GARDE x SALSA]: "FALLING ASLEEP"
1:16
[SLEEPY PIANO x TROMBONE]: "LA LINEA"
0:56
[COOL JAZZ] A FORGOTTEN HISTORY
2:01
[piano x vocals] COMING HOME feat. Joseph Mohan
0:50
[SYNTH, FLAMENCO, VOX] "IN CONTROL"
0:43
PSYCHOLOGICAL, DARK
[HORROR: DARK PULSE, EERY] "VILOMAH"
1:02
[BEWITCHING: PROCESSED VOCALS] DUALITY DANCE
1:01
[PLAYFUL, MISCHIEVOUS, DARK, STRINGS] "I WAS ONCE LIKE YOU"
1:45
[FOLK, SYNTH, DESPAIR] "I WANTED TO WANT YOU"
1:41
[SOUND DESIGN, VOCALS, DEEP] "UNDER THE OCEAN"
0:59
[SCI FI, DARK CHOIR] "ONAKA SUITA"
1:56
[SOUNDSCAPE, THRILLER] "NIGHTMARE"
1:11
UPBEAT & PLAYFUL
[ANIMATION, NEO SOUL, VIDEO GAME] "FIRST DAY AT SCHOOL"
0:39
[SOUL, HOUSE, JAPANESE] “Kono Bangumi"
1:30
[PARTY, HOUSE, RAP] "MAKE YOU MINE" feat NABILLA
0:30
[BOMBA, AFRO-LATIN JAZZ] LOOSEN UP
0:53
[FUNK, JPOP] "MAGICAL TRANSFORMATION"
0:15
[HOUSE, RAP, JAZZ] "SAKAMOTO COMES HOME AT 5AM"
1:42
[MUSICAL: ELECTRONIC, JAZZ, POP] "EVERYONE TALKS"
0:51
[ALARM CLOCK WALTZ] "WAKE UP"
1:03
[TANGO, BRASS, DRAMA] "TO LOVE AND TO FALL"
1:43
WORLD
[NYABHINGI & AYABHINGI REGGAE DRUMS] "STRAYDOGS" feat. Bongo Herman
1:04
[KHMER ASMR X VOCALS X TRUMPET] DON'T SHOOT
0:53
[BOLERO, TRAGIC, LATIN] "SUENOS VIOLENTOS" feat. Amaris Pueyes-Mendez
2:10
[FOLK] Conch Shell solo feat. CHARLESTON MAROONS
1:18
[SYNTH, FLAMENCO, FOLK] "IN CONTROL"
2:09
[CONCH SHELL, KROMANTI FOLK] "WHERE ARE YOU"
0:49
NON-ORCHESTRAL [TRAGIC/DRAMATIC]
[BOLERO, TRAGIC, LATIN] "SUENOS VIOLENTOS" feat. Amaris Pueyes-Mendez
2:10
[POP STRINGS x DRUMS] "SHOW DOWN" (Top Voices Theme Song)
1:06
[SOFT ROCK GUITAR] "WISH I WAS A FISH" feat. Alex Park
0:35
[ACAPELLA] WE CRY
1:04
[INDIE: GUITAR x CELLO] "TOGETHER ALONE" feat. Quenton Blache & Alex Park
1:15
ORCHESTRAL [DRAMATIC/TRAGIC]
[65 PIECE ORCHESTRA @WARNERBROS] "TO BE LOVED"
1:14
[HOPEFUL, INNOCENT, MELANCHOLIC] "POPPY'S SONG"
0:51
[65 PIECE ORCHESTRA @WARNERBROS] "FIREFLY"
0:59
[ATONAL, CHAMBER ORCHESTRA] "YOU LIED"
1:02
[TRAGIC, IN DESPAIR, SENTIMENTAL]: "SAYING GOODBYE"
1:19
[16 PIECE CHOIR] "ONAKA SUITA"
1:20
[VIDEO GAME, VST, DARK] "THE CONSERVATORY"
1:09
SONGS WITH LYRICS
[SPIRITUAL, ACAPELLA] TRIBULATIONS feat. Gail Lou DeSandies
0:19
[BOLERO, TRAGIC, LATIN] "SUENOS VIOLENTOS" feat. Amaris Pueyes-Mendez
2:10
[MUSICAL, POP, JAZZ, VIDEO GAME MUSIC] "EVERYONE TALKS"
1:39
[HOUSE, RAP, PARTY] "MAKE YOU MINE" feat. Nabilla
0:30
Biography
Photo by Jacarrea Garraway
Why limit ourselves to 'genre's' when GOOD music can come from anywhere, any time period, and anyone?
Hi my name is Yasna, and I am a multigenre artist. I am a Japanese and Afro-Trinidadian woman who grew up in a loving, hardworking immigrant household. As a person who belongs to so many communities and having an interdisciplinary skillset through various mediums + industries, I believe my strength is my authenticity, empathy, and ability to story tell/communicate. I am very passionate about bringing non-traditional stories to life through an authentic and unique lens.
I first completed my undergraduate at Columbia University where I studied Religion and conducted research on sustainable development under the Dean of my college for four years. Then after a gap year I attended the University of Southern California to study Music for Film at the Screen Scoring program. During my junior year while being locked in the house during COVID, I published my first book "Werk Your Net," a book focused on helping people from non-traditional backgrounds learn how to build their network and career in a way where you don't have to compromise your values. During and before my time at Columbia, I worked within the tech/start up industry as well which helped me develop my love for entrepreneurship as there are many commonalities in the film world.
Growing up in a multicultural home, I grew up listening to every single Ghibli song to exist, Jazz, Blues, Funk, Soca, Samba, Boleros, Afro-beats, Latin, Folk, House, Japanese folk music, Japanese blaxploitation music, and many more genres which helped me develop a deep appreciation and love for world music. Since I was 11, I trained Classically and in Jazz on the trumpet and vocals. Eventually this lead me to have the opportunity to tour Japan, Europe, and the US preforming at: The Lincoln Center, Benaroya Hall, Yamaha Hall, Umbria Jazz Festival, Newport Jazz Festival, guest performance for Sarah Kinsley, C.U.G. Jazz Orchestra, and opening for Disney's Humanitarian Award Ceremony.
Most recently, a film I scored, “Many Thousands Lost” by Jehan Patterson was nominated for a BAFTA. I scored Kiana Khansmith’s animation short, “Pretty Pretty Please I Don’t Want To Be A Magical Girl,” which hit 3 Million views on Youtube. My work has been featured at the San Jose Museum of Art as a part of David Kelley and Patty Chang’s “Beta Exhibit” from November 2024 toMay 2025. Our film “Stray Dogs” was shown in Dakar, Senegal at the Africa-Asia, A New Axis of Knowledge 3, a Conference Festival in June and will be preformed as a live performance at the LACMA in the Fall. My concert Euphonium and piano commission for Arisa Makita has been preformed in Spain and set to be played in LA and Japan.
My scores have been featured in Sundance, The Museum of San Jose's "The Beta" Exhibit, The New Yorker, Converse, Issa Rae’s Color Creative initiative, Sherman Oaks, AspireTV, BAFTA, and Columbia University's Film Festival. As an artist and creator I have been featured by Nike, VICE, Meta, ULTA Beauty, McKinsey, LinkedIn.
EMAIL: yasna@werkyournet.com
INSTAGRAM: @yazi_nay