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Science Fiction
The Paradox (Sci-fi, main theme)
1:23
The Plague (Sci-Fi, melancholy, building)
3:23
Road Rage (Action Horror)
1:35
Cinder (Sci-Fi Game Demo)
4:07
Identity Theft (Horror, Ambient, Noise)
2:18
Sentient (Unsettling, Industrial)
4:07
Disorientation (Ambient, Surreal)
1:13
Standard Issue (Action, Taikos)
4:16
Red In The Fall (Mournful, Slow, Minimalist)
1:42
Finding The Cure (Electronic, Dramatic)
2:30
Zoe's Dream (Melancholy, Trip-Hop)
2:53
Beginning Of The End (Minimalist, Sad, Solo Strings)
2:05
Laser Eye (Unsettling, Synth, Industrial)
1:41
Final Run (Action, Sci-Fi, Chase)
3:03
A God's Arrival (Mysterious, Tense)
1:59
Release (Tension, Build)
3:06
Biography
With a musical background influenced equally by John Williams and Trent Reznor, as well as membership in two punk rock marching bands (Chicago’s “Mucca Pazza” and LA’s “Killsonic”), Greg has a passion for using music to support story in unexpected ways. His scores have screened at Sundance, Toronto, Cannes, Berlin, Showtime, Disney, and HBO. Today, Greg gets to explore his childhood love of orchestral music as a composer for Disney Animation while continuing to push music boundaries with independent directors like Rachel Goldberg (Mayans, American Gods) and Tom Stern (The Toys That Made Us).
Greg is also a composer for video games. His most recent project, Potionomics, featured over 80 musicians, including the Grammy nominated cellist Tina Guo. It was nominated for the first ever World Soundtrack Award for "video game score of the year," as well as 3 Game Audio Network Guild awards.
Representation