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Haze Machine

Haze Machine is the term I've used to describe both the process and a classification of a production technique used in film and songwriting. Reverb tails amplified by more echoes and spaces, along with reverse sounds tend to give a haze in some films in my scoring. For documentaries such as A New High and Cracked Up, I use this as a way to reference an earlier, messy period with a particular character or setting. In other words, we're picking up this character in medias res, which is a term for "in the middle of things", and my haze machine sound references prior messiness in this character.

CNORTH_ENSUITE_F2.2inc1.4import_ENTIRE_Draft1V8
0:49
11 Dawn _ Mt. Si
3:04
05 Appears Before Your Eyes
2:26
16 Six Inches from Death (North Face of Hood)
1:36
2 Opti-Mystic
1:14
12 Sleep
0:41
16 Toddler
1:47
18 Stay On Task _ Women
3:04
M51_CNorthF3.3 _V1devRmixWithDroneToDoor_CU_v44_171004_FINALMASTER
1:42
1. Titles from A New High
1:32
Biography

Sundance Fellow Christopher North (he/him, b 1969) is an award winning composer (Film, Theater, Dance and the Concert Stage), singer/songwriter (eclectic albums, songs for children’s TV and placements in Films), multi-instrumentalist (Carnegie Hall, Newport Folk Festival, CBGBs, Grammy award-winning recordings), conductor (Hollywood Chamber Orchestra debut, Carnegie Hall, Symphony Space) and producer. A Texan in NYC since 1997, he’s thriving in Brooklyn with over 20 genre crossing albums, scores to over 60 films (inc. award-winning and Grammy Nominated) and a growing opus of arts songs, chamber music and symphonic works. An enthusiastic educator and Associate Professor in the Berklee College of Music  Songwriting Department SYNC TRACK, he has also taught at the 92NY since 1997. As a freelance sideman, he has played bass for Quincy Jones, with The Chicks (formerly the Dixie Chicks) and Rosanne Cash, in orchestras and on Broadway. He’s been heard as a singer (in choirs with the NY Philharmonic, on Grammy Award Winning Recordings), whistler (for Disney) and multi-instrumentalist on countless scores, albums, video games and commercials. A 2015 Sundance Institute Lab Fellow, collaborating brings out his best, for which VARIETY says he's a "notable asset” to work “well served by a fine soundtrack.” His favorite creation is his teenager Koi and his hobbies include photography, swimming in the ocean, collecting skull art and walking in cemeteries.